Strange visual resonance found on the covers of two upcoming Criterion Collection releases.
What can it mean?
Will you close your eyes and refuse this disconcerting correlation? Or like the churchgoers faced with the mural of destruction in The Seventh Seal, will you look and think upon it until it becomes more frightening?
The bottom image appears when the two covers are laid upon one another. Otherwise polarized, the nodes where the photos connect allow both covers full 360-degree transformation. The motionless wet-wool blanket sky of the Bergman set (fast inside, slow outside), the sickened buzz-blur of the Two-Lane Blacktop landscape (slow inside, fast outside) are both fine snapshot summaries of the respective films. When linked, the images roil and fuzz out, with the friction of their opposite approaches to the same existential conundrum. The sea and pavement become rippling solid. A man perches atop a spinning wheel. The '55 Chevy points off to contemplate a stark horizon somewhere between America and Sweden.